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| Dicksee, Sir Frank Francis Bernard |
| Leila |
| This hand painted reproduction of Dicksee's Leila, also known as Passion was executed in its original size 30x 24 inches. The colors and especialy the Reds vibrate to convey a typical Orientalist scene, something that Dicksee was so good at. |
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| Soulacroix, Frederick |
| La Demande En Mariage [The Marriage Proposal] |
Soulacroix enjoyed an enormous success, his paintings were mainly for private customers coming from USA, England, Germany, South America and Canada. An exceptional observer, Soulacroix paid great attention to minute detail in his paintings. As this painting exemplifies, the painter has captured the finest elements of texture, luster and reflection and rendered them with meticulous technique.
With no lesser mastery our Painter did this oil painting reproduction, browse the details. |
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| Alma-Tadema,Sir Lawrence |
| A Favorite Custom, 1909 |
Alma Tadema paintings are remarkable for the way in which flowers, textures and hard reflecting substances, like metals, pottery, and especially marble, are painted - indeed, Alma Tadema's realistic depiction of marble led him to be called the 'marbelous painter'. His paintings show much of the fine execution and brilliant colour of the old Dutch masters.
For a more detailed look at our Painter's reproduction , see these examples. |
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| Brunery, François |
| A Tedious Conference |
| When this Brunery painting was done the burgeoning middle class, the growth of mammon and with it perhaps a lessening in regard for the church, saw this genre of cardinal painting surge in popularity. The highly finished technique, the vivid purples and crimsons, the wealth of lavish detail and above all, the pointed humor proved to be of enormous appeal, and Francois Brunery was the leading exponent. |
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| Brunery, François |
| Afternoon Tea |
| It was in the 1890's that Brunery rapidly forged a reputation as the leading artist in a specific genre of Cardinal paintings; his rivals Andrea Landini (b.1847), Jean George Vibert (1840 1902) and Georges Croegaert (b.1848) all being exact contemporaries, and, it is no coincidence, all from Catholic countries. |
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| Modigliani, Amedeo |
| Sleeping Nude with Arms Open ( Red Nude) |
| After 1915, Modigliani devoted himself entirely to painting, producing some of his best oil paintings. This reproduction represents Modigliani's Sleeping Nude with Arms Open .Despite its extreme economy of composition and neutral backgrounds, this reproduction conveys a sharp sense of the sitter's personality.You see an elegant, arresting arrangement of curved lines and planes as well as a striking idealization of feminine sexuality.
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| Picasso, Pablo |
| Apetit |
| Picasso's painting style changed many times throughout his career, and he produced a range of paintings, from classical figures to radical abstractions. Picasso exhibited widely and is considered one of the most important and influential figures in twentieth-century art. Besides being a prolific painter and draftsman, Picasso was also an accomplished sculptor.Look at the style of this hand painted oil painting reproduction, it resembles a sculpture, and that's exactly how Picasso meant it . |
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| Caravaggio, Michelangelo Merisi da |
| The Calling of st. Matthew |
Even though his life was short, his painting style had enormous impact on artists throughout Europe. Caravaggio produced many religious paintings that shocked his patrons because of his depiction of Christ and other religious figures as common people in everyday settings.
Caravaggio employed such contrasts in this painting ,light and dark for greater truth-to-life, and also to express such ideas as good and evil, life and death. |
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| Monet, Claude Oscar |
| The Artist's Garden at Vetheuil |
| This is one of the flattest landscapes ever painted. At around the same time, Cezanne was flattening his still lifes by distorting the tables to a vertical orientation. Monet stops short of distortion through a judicious choice of subject. A hillside staircase provides the form for a dramatic flattening of the painting. Monet increases the effect by frozening the children in full frontal portrayal and showing No clouds that would break up the solid plane of dark blue sky. |
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| Grimshaw, John Atkinson |
| A Wintry Moon |
| Born in Leeds, Grimshaw first began painting while working as a clerk for the Great Northern Railway. He made his name as a painter of urban streets and dockyards shown at sunset, by moonlight or in the rain. His very particular vision of Victorian Britain proved so popular that his style and subject matter changed little during his career.
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| Grimshaw, John Atkinson |
| Midsummer Night |
| Grimshaws's primary influence was the Pre-Raphaelites. True to the Pre-Raphaelite style, Grimshaw put forth landscapes of accurate color and lighting, and vivid detail. Grimshaw would often paint landscape paintings that typified seasons, or that typified a kind of weather. By applying his skill in lighting effects, and unusually careful attention to detail, Grimshaw was often capable of intricately describing a scene, while strongly conveying its mood. |
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| Sisley, Alfred |
| View of the Canal St. Martin |
Le Canal", as people of the district say, is a very popular spot for Parisians.
They like its particular "atmosphere", the poetry of its banks bordered by hundred-year old chestnut trees and plane trees and punctuated by romantic footbridges. They enjoy to walk along the quiet banks or to watch the barges navigate the series of locks and road bridges.
The oil painting reproduction is very close to the original Sisley's painting. The paint's texture was cracked at some places for an absolute similarity.
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| Serov, Vladimir Aleksandrovich |
| Girl with Peaches, Portrait of Vera Mamontova |
Serov became famous after exhibiting Girl with Peaches considered to be among the greatest masterpieces of the Tretiakov Gallery. The canvas, a portrait of Savva Mamontov's daughter, Vera, brings to mind sunny and cheerful portraits by Renoir, but is probably more inspired by the colors of Repin's paintings. No doubt Serov was One of the greatest Russian portrait painters.
This oil painting reproduction sticks to the original colours and size of the Serov's painting in the Tretiakov Gallery.
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