Mantegna Paintings Reproduction and Biography
Mantegna was born 1431, Isola di Cartura,
died 1506, Mantova
Mantegna, Andrea (1431-1506), one of the foremost north Italian painters of the 15th century. A master of perspective and foreshortening, Mantegna made important contributions to the compositional techniques of Renaissance painting.
Born (probably at Isola di Carturo, between Vicenza and Padua) in 1431, Mantegna became the apprentice and adopted son of the painter Francesco Squarcione of Padua. Mantegna developed a passionate interest in classical antiquity. The influence of both ancient Roman sculpture and the contemporary sculptor Donatello are clearly evident in Mantegna’s rendering of the human figure. His human forms were distinguished for their solidity, expressiveness, and anatomical correctness.
Mantegna’s principal paintings in Padua were religious. Mantegna's first great success was a series of fresco paintings on the lives of St. James and St. Christopher in the Ovetari Chapel of the Church of the Eremitani (1456; badly damaged in World War II). In 1459 Mantegna went to Mantua to become court painter to the ruling Gonzaga family and accordingly turned from religious to secular and allegorical painting. His masterpiece was a series of fresco paintings (1465-74) for the Camera degli Sposi (“bridal chamber”) of the Palazzo Ducale. In these paintings Mantegna carried the art of illusionistic perspective to new limits. Mantegna's figures depicting the court were not simply applied to the wall like flat portraits but appeared to be taking part in realistic scenes, as if the walls had disappeared. The illusion is carried over onto the ceiling, which appears to be open to the sky, with servants, a peacock, and cherubs leaning over a railing. This was the prototype of illusionistic ceiling painting and was to become an important element of baroque and rococo art.
Mantegna’s later paintings varied in quality. His largest undertaking, a fresco series on the Triumphs of Caesar (1489, Hampton Court Palace, England), displays a rather dry classicism, but Parnassus (1497, Louvre, Paris), an allegorical painting commissioned by Isabelle d’Este, is his freshest, most animated painting. Mantegna paintings never ceased to be innovative. In Madonna of Victory (1495, Louvre), Mantegna introduced a new compositional arrangement, based on diagonals, which was later to be exploited by Correggio, while his Dead Christ (Pinacoteca di Brera, Milan) was a tour de force of foreshortening that pointed ahead to the style of 16th-century Mannerism.
One of the key artistic figures of the second half of the 15th century, Mantegna was the dominant influence on north Italian painting for 50 years. It was also through him that German artists, notably Albrecht Dürer, were made aware of the artistic discoveries of the Italian Renaissance. Mantegna died in Mantua on September 13, 1506.