Rembrandt

baroque

Rembrandt Paintings 1606 - 1669 Painter, Etcher, Printmaker, Netherlands, Baroque

Isaac and Rebecca, 1666

Oil on canvas, 166x121 cm

Rijksmuseum, Amsterdam

Portraits

28 from 97

Browse Artists Alphabetically by Name

Choose from these available sizes

painting: REH031 size: 40x29 inches price: $985 add to cart

Time needed to complete and deliver your order depends on the volume and complexity of the paintings and we keep you informed about the stage of completion throughout the process.

The painter usually needs 3-4 weeks to achieve the highest quality of the reproduction and get it dry for shipping.

Isaac and Rebecca, 1666 by Rembrandt is entirely handmade without use of artificial methods. It is painted on linen canvas with oil paints of the highest French quality.

We are professional graduates of art schools, which gives us the opportunity to reproduce to the highest point of perfection the style and technique of the original old master. With more than 20 years of experience and thousands of satisfied customers our oil reproductions are the best, always bearing the full spirit of the original.

Shipping is worldwide by DHL and can be tracked online. The canvas is delivered unframed, rolled in a postal tube.

Shipping cost is fixed $75, regardless of order total.

Delivery by DHL is fast - up to 3 business days.

ask for another size

✔ Hand painted oil on canvas

✔ Delivered within 3 weeks

✔ Lifetime warranty

shipping information

OIL PAINTING: Isaac and Rebecca, 1666
Rembrandt's colouristic power increases tremendously during his last period, although not all of his mature paintings display it; some of the single portraits remain largely monochromatic. The so-called Jewish Bride of c. 1665, which may be a commissioned portrait of a couple in the guise of a biblical pair (such as Isaac and Rebecca), belongs to his most brilliant colouristic creations. Even in reproductions it is possible to see something of the fluctuating quality of his late paint, the vibrations of the tones, and the harmonious fusion of the whole; but they can hardly suggest the warmth of the fiery scarlets, the golden yellows, the delicate blues and olives, the powerful whites, and deep blacks of his late palette. The broad, calm, relief-like arrangement of the life-size half-figures in Isaac and Rebecca by Rembrandt recalls a certain type of Venetian Renaissance painting. This reveals a touch of classical taste, but the use of colour in the portrait is quite unclassical.