Hieronymus Bosch

northern-renaissance

Bosch Paintings 1450 - 1516 Northern Renaissance Painter

Christ Carrying the Cross, 1480

Oil on panel, 47 1/8 x 59 inches (120 x 150 cm)

Museo del Prado, Madrid

Religious Paintings

8 from 11

Hieronymus Bosch Painting Work Sample

Browse Artists Alphabetically by Name

Choose from these available sizes

painting: BOH008 size: 28x35 inches price: $1450 add to cart

painting:BOH008B size II: 31x39 inches price: $1720 add to cart

painting: BOH008C size III: 35x44 inches price: $2120 add to cart

Time needed to complete and deliver your order depends on the volume and complexity of the paintings and we keep you informed about the stage of completion throughout the process.

The painter usually needs 3-4 weeks to achieve the highest quality of the reproduction and get it dry for shipping.

Christ Carrying the Cross, 1480 by Hieronymus Bosch is entirely handmade without use of artificial methods. It is painted on linen canvas with oil paints of the highest French quality.

We are professional graduates of art schools, which gives us the opportunity to reproduce to the highest point of perfection the style and technique of the original old master. With more than 20 years of experience and thousands of satisfied customers our oil reproductions are the best, always bearing the full spirit of the original.

Free Worldwide shipping by DHL which can be tracked online. The canvas is delivered unframed, rolled in a postal tube.

Please note that depending on the importing country's regulations shipping might be applied. It is automatically calculated once the product is added to the shopping cart.

Delivery by DHL is fast - up to 3 business days.

ask for another size

✔ Hand painted oil on canvas

✔ Delivered within 3 weeks

✔ Free shipping

✔ Lifetime warranty

shipping information

OIL PAINTING: Christ Carrying the Cross, 1480
Christ Carrying the Cross is an exceptionally dramatic painting of Bosch , with a bold composition made up of closely packed heads for which no parallel exists in the art of the period around 1500. It is generally considered to be a late work and one of Bosch's greatest creations. The antithesis between good and evil, which was so crucial to Christian belief in Bosch's time, is raised to a climax. The painting is a peerless study of human facial expressions and demonic visages. Yet the chaotic and caricatured elements inserted by Bosch are never overwhelming and the painting seems to observe a complex balance of parallels and contrasts that emphasizes the serenity of Christ's gently modelled face in the centre. Amid all the tumult, we make out the clear profile of St Veronica withdrawing from the mob, the image of Christ's face - the 'vera icon' on her cloth.