Giovanni Antonio Canal Canaletto

rococo

Paintings Reproductions Canaletto, Giovanni Antonio Canal Return of the Bucentoro to the Molo on Ascension Day, 1732

Canaletto Paintings 1697 - 1768 Italian Rococo Painter

Return of the Bucentoro to the Molo on Ascension Day, 1732

Oil on canvas, 30.31 x 49.61 inches [77 x 126 cm]

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Choose from these available sizes

painting: CGA001 size: 24x39,2 inches price: $2230 buy

painting:CGA001B size II: 27x44 inches price: $2560 buy

painting: CGA001C size III: 31x51 inches price: $2950 buy

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The painter usually needs 3-4 weeks to achieve the highest quality of the reproduction and get it dry for shipping.

Return of the Bucentoro to the Molo on Ascension Day, 1732 by Giovanni Antonio Canal Canaletto is entirely handmade without use of artificial methods. It is painted on linen canvas with oil paints of the highest French quality.

We are professional graduates of art schools, which gives us the opportunity to reproduce to the highest point of perfection the style and technique of the original old master. With more than 20 years of experience and thousands of satisfied customers our oil reproductions are the best, always bearing the full spirit of the original.

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OIL PAINTING: Return of the Bucentoro to the Molo on Ascension Day, 1732
      The picture Return of the Bucentoro to the Molo on Ascension Day, showing traditional Venetian ceremony is from a series of 14 views of the Grand Canal painted by Canaletto and engraved by Antonio Visentini (published in 1735).
      The historical power of the Venetian Republic was dependent upon its mastery of the sea, both for trading and military purposes. Such dominance had waned by the eighteenth century, but past glories were symbolically recalled in ceremonies, such as the one depicted in Return of the Bucentoro to the Molo on Ascension Day.
      Here, a naval victory over Dalmatia which took place in 998 AD, apparently on Ascension Day, is commemorated. During the event the Doge travelled in the Bucintoro, the golden barge, out into the Lido, where he cast a ring into the sea, as a symbol of the marriage or union between Venice and the Adriatic. Such a ring had been given to a twelfth