Michelangelo Merisi da Caravaggio

baroque

Paintings Reproductions Caravaggio, Michelangelo Merisi da The Crucifixion of Saint Peter, 1600

Caravaggio Paintings 1571 - 1610 Italy, Baroque Painter

The Crucifixion of Saint Peter, 1600

Oil on canvas, 90 1/2 x 68 7/8 inches (230 x 175 cm)

Cerasi Chapel, Santa Maria del Popolo, Rome

Religious Paintings

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Choose from these available sizes

painting: CAM014 size: 34x25.8 inches price: $2170 add to cart

painting:CAM014B size II: 42x32 inches price: $2970 add to cart

painting: CAM014C size III: 47x35.7 inches price: $3420 add to cart

Time needed to complete and deliver your order depends on the volume and complexity of the paintings and we keep you informed about the stage of completion throughout the process.

The painter usually needs 3-4 weeks to achieve the highest quality of the reproduction and get it dry for shipping.

The Crucifixion of Saint Peter, 1600 by Michelangelo Merisi da Caravaggio is entirely handmade without use of artificial methods. It is painted on linen canvas with oil paints of the highest French quality.

We are professional graduates of art schools, which gives us the opportunity to reproduce to the highest point of perfection the style and technique of the original old master. With more than 20 years of experience and thousands of satisfied customers our oil reproductions are the best, always bearing the full spirit of the original.

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OIL PAINTING: The Crucifixion of Saint Peter, 1600
The Crucifixion of St Peter by Caravaggio in the church of Santa Maria del Popolo is one of two paintings in the Cerasi Chapel. Three shady characters, their faces hidden or turned away, are pulling, dragging and pushing the cross to which Peter has been nailed by the feet with his head down.
Caravaggio's Saint Peter in The Crucifixion of Saint Peter is not a heroic martyr, nor a Herculean hero in the manner of Michelangelo, but an old man suffering pain and in fear of death. The scene, set on some stony field, is grim. The dark, impenetrable background draws the spectator's gaze back again to the sharply illuminated figures who remind us, through the banal ugliness of their actions and movements - note the yellow rear and filthy feet of the lower figure - that the death of the apostle was not a heroic drama, but a wretched and humiliating execution.