Jan van Huysum

rococo

Jan van Huysum Paintings 1682 - 1749 Netherlands, Rococo

Bouquet of Flowers in an Urn, 1724

Oil on canvas, Original Size: 80 x 59.6 cm

Los Angeles County Museum of Art, Los Angeles

Paintings of Flowers

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painting: HUJ003 size: 30x22.2 inches price: $1320 add to cart

painting:HUJ003B size II: 33x24,6 inches price: $1510 add to cart

painting: HUJ003C size III: 36x27 inches price: $1720 add to cart

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The painter usually needs 3-4 weeks to achieve the highest quality of the reproduction and get it dry for shipping.

Bouquet of Flowers in an Urn, 1724 by Jan van Huysum is entirely handmade without use of artificial methods. It is painted on linen canvas with oil paints of the highest French quality.

We are professional graduates of art schools, which gives us the opportunity to reproduce to the highest point of perfection the style and technique of the original old master. With more than 20 years of experience and thousands of satisfied customers our oil reproductions are the best, always bearing the full spirit of the original.

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OIL PAINTING: Bouquet of Flowers in an Urn, 1724
The main line of eighteenth-century Dutch still-life painting is represented by the Amsterdamers Rachel Ruysch and Jan van Huysum, who both specialized in elaborate flower and fruit paintings - Bouquet of Flowers in an Urn. They were the most popular still-life painters of the period; their paintings commanded high prices and were found in famous collections throughout Europe, and their colourful paintings still have wide appeal. The status they were accorded in their time indicates there were powerful patrons and collectors who took exception to the teachings of academic theorists who minimized the significance of still-lifes by placing them at the lower end of the hierarchy of kinds of painting.
In the hands of Rachel Ruysch and Jan van Huysum Dutch flower pieces brighten up again. Their technical perfection and love of minute detail recall the still-lifes painted a century earlier by Bosschaert and his followers, and like their predecessors they did not hesitate to include flowers of different seasons in their arrangements. However, neither Ruysch nor van Huysum arranges blooms into evenly lit symmetrical bunches in the way that early-seventeenth-century painters did, and their lively chiaroscuro effects and delightful ornateness show an unmistakable affinity with Late Baroque and Rococo art.