Gustav Klimt

art-nouveau

Paintings Reproductions Klimt, Gustav The Kiss, 1907

Klimt Paintings 1862 - 1918 Austrian Painter, Art Nouveau

The Kiss, 1907

Oil on canvas, 180x180 cm

Osterreichische Galerie, Vienna

Figurative Art

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Choose from these available sizes

painting: KLG001 size: 32x32 inches price: $850 add to cart

painting:KLG001B size II: 37x37 inches price: $1230 add to cart

painting: KLG001C size III: 44x44 inches price: $1630 add to cart

Time needed to complete and deliver your order depends on the volume and complexity of the paintings and we keep you informed about the stage of completion throughout the process.

The painter usually needs 3-4 weeks to achieve the highest quality of the reproduction and get it dry for shipping.

The Kiss, 1907 by Gustav Klimt is entirely handmade without use of artificial methods. It is painted on linen canvas with oil paints of the highest French quality.

We are professional graduates of art schools, which gives us the opportunity to reproduce to the highest point of perfection the style and technique of the original old master. With more than 20 years of experience and thousands of satisfied customers our oil reproductions are the best, always bearing the full spirit of the original.

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✔ Hand painted oil on canvas

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OIL PAINTING: The Kiss, 1907
"For the sumptuous surface of Klimt paintings is by no means carefree. Its decorative tracery expresses a constant tension between ecstasy and terror, life and death. Even the portraits, with their timeless aspect, may be perceived as defying fate. Sleep, Hope (a pregnant woman surrounded by baleful faces) and Death are subjects no less characteristic than the Kiss. Yet life's seductions are still more potent in the vicinity of death, and Klimt's works, although they do not explicitly speak of impending doom, constitute a sort of testament in which the desires and anxieties of an age, its aspiration to happiness and to eternity, receive definitive expression. For the striking two-dimensionality with which Klimt surrounds his figures evokes the gold ground of Byzantine art, a ground that, in negating space, may be regarded as negating time - and thus creating a figure of eternity. Yet in Klimt's painting, it is not the austere foursquare figures of Byzantine art that confront us, but ecstatically intertwined bodies whose flesh seems the more real for their iconical setting of gold."