Leonardo da Vinci

renaissance

Paintings Reproductions Leonardo da Vinci Mona Lisa, c.1503-1505

Leonardo da Vinci Paintings 1452 - 1519 Painter, Sculptor, Architect, Inventor, Lutanist, Scientist,Italy, Renaissance

Mona Lisa, c.1503-1505

Oil on canvas, 77 x 53 cm, (30 x 21 in)

Musee du Louvre, Paris

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Choose from these available sizes

painting: LEV001 size: 27,4x19 inches price: $850 buy

painting:LEV001B size II: 30x21 inches price: $1340 buy

painting: LEV001C size III: 35x23,5 inches price: $1980 buy

Time needed to complete and deliver your order depends on the volume and complexity of the paintings and we keep you informed about the stage of completion throughout the process.

The painter usually needs 3-4 weeks to achieve the highest quality of the reproduction and get it dry for shipping.

Mona Lisa, c.1503-1505 by Leonardo da Vinci is entirely handmade without use of artificial methods. It is painted on linen canvas with oil paints of the highest French quality.

We are professional graduates of art schools, which gives us the opportunity to reproduce to the highest point of perfection the style and technique of the original old master. With more than 20 years of experience and thousands of satisfied customers our oil reproductions are the best, always bearing the full spirit of the original.

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OIL PAINTING: Mona Lisa, c.1503-1505
Reams have been written about this small masterpiece by Leonardo- Mona Lisa, and the gentle woman who is its subject has been adapted in turn as an aesthetic, philosophical and advertising symbol, entering eventually into the irreverent parodies of the Dada and Surrealist artists. The history of the panel has been much discussed, although it remains in part uncertain. According to Vasari, the subject is a young Florentine woman, Monna (or Mona) Lisa, who in 1495 married the well-known figure, Francesco del Giocondo, and thus came to be known as ``La Gioconda''. The work should probably be dated during Leonardo's second Florentine period, that is between 1503 and 1505. Leonardo himself loved the portrait, so much so that he always carried it with him until eventually in France it was sold to Francois I, either by Leonardo or by Melzi. From the beginning it was greatly admired and much copied, and it came to be considered th