Leonardo da Vinci

renaissance

Leonardo da Vinci Paintings 1452 - 1519 Painter, Sculptor, Architect, Inventor, Lutanist, Scientist,Italy, Renaissance

Portrait of Ginevra de Benci - 1474-1478

Oil on panel, 38.1 cm x 37 cm (15.0 in x 15 in)

National Gallery of Art, Washington

Portraits

7 from 26

Browse Artists Alphabetically by Name

Choose from these available sizes

painting: LEV020 size: 19x18,3 inches price: $1120 add to cart

painting:LEV020B size II: 22x21,5 inches price: $1340 add to cart

Time needed to complete and deliver your order depends on the volume and complexity of the paintings and we keep you informed about the stage of completion throughout the process.

The painter usually needs 3-4 weeks to achieve the highest quality of the reproduction and get it dry for shipping.

Portrait of Ginevra de Benci - 1474-1478 by Leonardo da Vinci is entirely handmade without use of artificial methods. It is painted on linen canvas with oil paints of the highest French quality.

We are professional graduates of art schools, which gives us the opportunity to reproduce to the highest point of perfection the style and technique of the original old master. With more than 20 years of experience and thousands of satisfied customers our oil reproductions are the best, always bearing the full spirit of the original.

Shipping is worldwide by DHL and can be tracked online. The canvas is delivered unframed, rolled in a postal tube.

Shipping cost is fixed $75, regardless of order total.

Delivery by DHL is fast - up to 3 business days.

ask for another size

✔ Hand painted oil on canvas

✔ Delivered within 3 weeks

✔ Lifetime warranty

shipping information

OIL PAINTING: Portrait of Ginevra de Benci - 1474-1478
The painting, painted on both sides, would represent in accordance with the sources from sixteenth century, the noblewoman Ginevra Benci, daughter of Florentine banker Amerigo de Benci, with whom Leonardo maintained friendship. About one third of painting had been truncated at the bottom, it is possible that the lower part of the painting, in which hands were painted, remained in the state of a initial drawing.