Claude Lorrain

baroque

Paintings Reproductions Lorrain, Claude Seaport with the Embarkation of the Queen of Sheba, 1648

Claude Lorrain Paintings 1600 - 1682 French Baroque Painter

Seaport with the Embarkation of the Queen of Sheba, 1648

Oil on canvas, 58.27 x 76.38 inches [148 x 194 cm

Musee du Lo

City Landscapes

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Choose from these available sizes

painting: LOC004 size: 25x32,7 inches price: $1060 buy

painting:LOC004B size II: 28x36,7 inches price: $1180 buy

painting: LOC004C size III: 33x43,2 inches price: $1295 buy

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The painter usually needs 3-4 weeks to achieve the highest quality of the reproduction and get it dry for shipping.

Seaport with the Embarkation of the Queen of Sheba, 1648 by Claude Lorrain is entirely handmade without use of artificial methods. It is painted on linen canvas with oil paints of the highest French quality.

We are professional graduates of art schools, which gives us the opportunity to reproduce to the highest point of perfection the style and technique of the original old master. With more than 20 years of experience and thousands of satisfied customers our oil reproductions are the best, always bearing the full spirit of the original.

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OIL PAINTING: Seaport with the Embarkation of the Queen of Sheba, 1648
When Claude Lorrain arrived as a boy in Rome from his native Lorraine, perhaps to serve as a pastry cook, landscape painting was already a recognised speciality. Claude, however, was to surpass all previous practitioners. His poetic reinventions of a Golden Age, appealing to a cultivated aristocratic clientele, were assembled in the studio from drawings made out of doors in Rome and the surrounding countryside and in the Bay of Naples. The German painter Sandrart, who accompanied him on sketching trips, described his procedures:
[Claude Lorrain]...only painted, on a small scale, the view from the middle to the greatest distance, fading away towards the horizon and the sky... [he is an example to all] of how one can order a landscape with clarity, observe the horizon and make everything diminish towards it, hold the colouring in proportion with the depth, each time represent recognisably the time of day or the hour, br