Claude Oscar Monet

impressionism

Claude Monet Paintings 1840 - 1926 French Prominent Impressionist Painter

Meadow with Poplars aka Poplars near Argenteuil , 1875

Oil on canvas

Museum of Fine Arts

Landscapes

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painting: MOC216 size: 22x26 inches price: $280 add to cart

painting:MOC216B size II: 24x28 inches price: $310 add to cart

painting: MOC216C size III: 28x32,5 inches price: $355 add to cart

Time needed to complete and deliver your order depends on the volume and complexity of the paintings and we keep you informed about the stage of completion throughout the process.

The painter usually needs 3-4 weeks to achieve the highest quality of the reproduction and get it dry for shipping.

Meadow with Poplars aka Poplars near Argenteuil , 1875 by Claude Oscar Monet is entirely handmade without use of artificial methods. It is painted on linen canvas with oil paints of the highest French quality.

We are professional graduates of art schools, which gives us the opportunity to reproduce to the highest point of perfection the style and technique of the original old master. With more than 20 years of experience and thousands of satisfied customers our oil reproductions are the best, always bearing the full spirit of the original.

Shipping is worldwide by DHL and can be tracked online. The canvas is delivered unframed, rolled in a postal tube.

Shipping cost is fixed $75, regardless of order total.

Delivery by DHL is fast - up to 3 business days.

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OIL PAINTING: Meadow with Poplars aka Poplars near Argenteuil , 1875
The short, choppy brushstrokes you see in this painting by Monet - Meadow with Poplars aka Poplars near Argenteuil, were characteristic of impressionism. Through them, Monet intended to recreate the vibrating quality of light and lend their paintings a certain spontaneity. Each dab of paint is an unmixed color. Monet and others believed that placing two colors next to each other on the canvas and allowing the viewer's eye to mix them optically would result in a more intense hue than if the colors were first blended on a palette. The brushstrokes make the painting blurry when up close; by standing back, viewers get a different effect. Monet almost never used black, only for clothing and other man-made objects. If you look carefully at the shadows, you will notice that they are not black, but various shades of brown, blue, purple, green, and so on.